Friday, February 18, 2022

Prologue


 
by Ed Peaco

Published by River Oak Review 

No. 15/16, Winter 2000 / Spring 2001

Chosen for Santa Fe Writers Project fiction contest, 

2002, posted among the best 65 entries


From my favorite window booth in the coffee shop, I watched Doralisa chatting on the opposite sidewalk with a man dressed in rags. I didn't mind that she was making herself late. I liked the old coffee shop, which was in the grand old office building I worked out of, and I liked watching her. She broke away and hustled across the street, her semi-gray hair flying wildly, her feet scurrying under the yardage of her jumper. She saw me and waved, and her small blue pack, the kind kids take to school, slid off her shoulder and down to her wrist. She sat down, stowed her pack under the table, and started in.  

It was Monday, which for me was blue serge day. 

“An apartment just opened up. There’s room for one family,” she said. “I don't know whether it should go to the family with the single mother who has cirrhosis of the liver or the people living in the refrigerator box.” 

She was famous for doing the dirty work agencies couldn't seem to get done. We'd known each other a couple of weeks. We were supposed to be ironing out the details of the grant she'd received from the community do-good group I raised money for. She'd talked us out of quite a little wad. But I'd reached the stage of hoping we'd talk about new things. “Pick the single mother,” I said, “even though she's an alcoholic.”  

“But Marvin, she's not an alcoholic. She has the congenital form of the disease. There are so many reasons why we need money.” 

I let her unruly dark-and-gray hair distract me when she pushed it off her forehead and it fell back into her eyes. Blue eyes, though pale. “About your proposal, I've still got a few questions,” I said. Among the movers and shakers in Change for the Better, as it was called, I was known for getting things done, which was a big plus in a group full of moralizing blowhards. I wasn't exactly a model member, but I had my own reasons for belonging.

“She says she can't work, but the state says she can, so her benefits were cut off, and they all ended up on the street. She says she needs a stress-free environment, preferably with air conditioning.”

“Don't we all.” A figure in multiple overcoats passed by the window, and Doralisa smile and waved. We'd gone off track. I wondered how long it would take that congenital cirrhosis woman to end up like my friend Hank, wasting away in a nursing home. He wasn't old; he had M.S. I was about as old as he was when he bought a motorized wheelchair from me, which, at this point, he couldn't get out of bed to use anymore. How quickly the years had been dragging on, and yet a lot of things had changed. I wasn't selling just wheelchairs anymore. I was managing all manner of medical supplies for hospitals and clinics, getting paid not for pushing product but for saving money. It was a new era, and things were going pretty well for me.

“She's invested in a grave plot,” Doralisa said. “She says she has ten years left, at best.“I watched her lips move. I didn't feel like serving my community.

“That's rough,” I said, thinking Hank had been laid up about that long, and might have that long left to go. I looked down at my list of questions. We were taking a chance on her; she was known as something of a maverick. But, with box people and a grave-plot woman on the table, I didn't see a way of getting back on track. So, I said, “I know a guy whose days are numbered.”

“And what do you do for him?”  

“Talk to him, when I can think of something to say.” A group of my office neighbors strolled by the window. They waved at me, and I nodded and gave them a two-fingered wave back. Truth be told, I'd forgotten to visit Hank the week before.

“There's more you could do.”

Sure, I could do more, I thought. I could spend all my considerable free time with Hank instead of drinking beer, watching ESPN and eating from my never-ending pot of something meaty on the stove. I could let Doralisa spend the money I piss away even after maxing out my retirement plan. I finally said, “I do what I can. I stick with him.”

“So, who would you choose?”

“For what?”

“Aren't you listening?” she asked.

I was wondering what she would think if she knew about the perpetual stew on my stove. If things kept going, she'd eventually discover things about me. “Ten years?” I asked. “How does she know?”

“She's been told.” 

“How does she seem?”

“Resigned.”

“That's a long time, actually,” I said. 

“Or, there's the laid-off couple that got wiped out by medical bills,” she said. “The daughter went on a hayride and fell under the tractor and lost her scalp. Now they live in a box.” 

Normally, when people talk a lot at me, I tend to tune them out. Maybe that would have been a better way to go. Instead, I laughed. “Her scalp? Is she getting help for her scalp?” I asked. 

Doralisa leaned over. “You should meet Cliff, my son. He likes to laugh at others' misfortunes.” Her glare was scary. “How can you find anything in that family's situation the least bit funny?”

“I don't know. Sometimes you just have to laugh.” I hadn't told her the whole story of Hank, which I could only hope to chuckle over. I hadn't told her yet I'd been divorced for ten years and living on my own in a trailer, which I thought was hilarious. 

She stood up. “I hope you understand why I'm leaving right now.” 

“I'll make it up to you.” It was all I could manage. I couldn't believe she was leaving over no more than this. The way I remembered it, you had to be screaming at each other before you got up and stomped away. And you weren't supposed to skip any steps. You were supposed to relish each little ratcheting up of the conflict.

She stooped for her pack. “It's not me who matters,” she said from under the table. Then she reappeared, dug through her pack, and produced a sticky-note pad. She wrote something on it and pasted in on my side of the table, upside down to me. It said, You're warped. She slung her pack over her shoulder and left.

—   —   —

When I went to visit Hank that night, the people at the home said he'd been rushed to intensive care after inhaling his puree. He'd been there before and always bounced back, so I wasn't too worried.

I went on to the hospital. A phone hung on the wall next to the double doors to intensive care. A sign said to call Extension 2761 before entering, but I ignored it. The doors opened on their own after I touched the big shiny dot on one of them. Inside, everybody looked busy, so I found Hank's bed myself and opened the sliding glass door. He had tubes up his nose and in his arm and wires taped to his chest. The equipment whined softly and flashed like a stack of VCRs. Hank looked puffy. His face was sweating, and he was breathing heavily. The room had a clock, a window, and wallpaper of that dirty-pink color my ex-wife would call mauve, with a paisley pattern, probably to soothe people who had tubes in them.“Where you been?” he asked. His cough shook the tubes. It was a messy, rattling cough, like gargling, but deep in his chest. The sound gave me some trouble in the back of my own throat. “They about buried me last week,” he said.

“You mean you were worse?” I asked. He tried to laugh but gave way to rattling, then hacking. It turned into one hell of a coughing fit. 

A nurse and an orderly burst in and blew by without looking at me. Staring down Hank's throat, the nurse asked me, “What do you think you're doing in here?” Hank coughed and gasped while the orderly stuck a tube down his throat and suctioned him, which sounded like draining the last of a milkshake through an industrial vacuum cleaner. The nurse clutched my arm and pulled me aside. 

“Are you family?” she asked.

“Friend.” 

“You'd better put on a mask and gloves, my friend. You want some of what he's got?” I looked at the suctioning, and Hank lying there with his mouth wide open, chest heaving. I apologized. “Stay a few minutes, but don't let him say much” she said. “Come back any time, but call first.”

While Hank settled down, I put on a mask and a pair of surgical gloves. He stared at the ceiling. Sure, being Hank's friend was tough for many reasons. But in other ways, it was easy. I could say anything I wanted, or just sit. Showing up was all that mattered. How tough could that be? I looked out the window for something to talk about. “We're nine floors up. Did you know that?” I asked him. “The sun is low, and this building has a shadow six blocks long. You can't see from up here, but the leaves are turning. Remember when we used to go outside during leaf time?” I wished I hadn't rambled onto something to remind him of his wheelchair days. “Remember when you used to tear down the hall and scare the old ladies? Remember when I helped you escape?” I'd looked the other way as he sped down the sidewalk in the chair I'd given him, one of the early motorized jobbies. He cruised the neighborhood, and I finally found him at a hopscotch meet. The escape was a silly stunt, the kind of thing you'd get away with maybe once, but worth a try. So Hank had really done all right by himself, as far as I was concerned. It was possible for good things to happen, even surrounded by bad.

Hank tried to speak. I bent over and listened. “Say something new,” he said. I shrugged, groped for a line, and came up empty. I was still remembering the old days, when he could swallow safely and I fed him, when he had power over his fingers and pestered me every day with phone calls. I'd left my number on the customer service label stuck to the side of the chair. But there was nothing new there, which made me think of bringing up Doralisa—what the hell. 

“I met a woman,” I said. Normally I wouldn't bring up such a subject, because it was a sore spot for Hank. His wife bailed on him when he was still pretty much able-bodied. 

Hank opened his mouth and made a little ticking sound, as if a flap over his windpipe had blown open. “Fluff my pillow,” he said. I fluffed it.

“She's really nice, but I kind of set her off today at lunch.”

There was a long pause while Hank swallowed and breathed. “Take off that blanket,” he said. 

“You don't have a blanket, just a sheet.” I raised it to let the air circulate, caught a glimpse of his withered legs. I knew they were there, and I knew I'd cringe at the sight of them. But I looked anyway. 

“Got that bonus?” he asked. 

“It's looking good.” I'd told him about how there’s a little extra held out of every one of my contracts. If I bring the client in under budget, that extra is my bonus. If not, it goes to the client. It’s a fair and civilized way to make a living.

Hank widened his eyes and opened his mouth, but he didn't say anything. Then he said, “Careful,” and his chest heaved a few times. “She'll cost you.” I shouldn't have brought her up. So we sat in awkward silence, which was made worse by Hank’s not being able to say much anyway. He finally said, “Open a window.”

“The window doesn't open.” I wasn't going to let him run me all over intensive care. We were silent, and then Hank started coughing again, but he stopped short of another disaster. “I hope you beat this thing and feel better soon,” I said. He shook his head, which I took to mean he didn't care. 

“Last time I'll say it,” he said, eyes widening, which was his way of screaming at me. “She's gonna cost you.”

“I'll be back tomorrow.” He shook his head again. Up until then, he still seemed pretty strong—strong enough for me not to think about what was happening to him, only about cheering him up for a few minutes each week. But now he was weaker and skinnier than ever, scary to look at, even for me. How much more would he have to put up with? I couldn't help but think he'd be better off dead, and I don't think like that as a rule. As I marched out, I wanted to slam open the double doors. But I forgot they opened on their own. They resisted my shove, and I had to stop and watch them swing out slowly. Pissed me off even more.

—   —   —

I ran into Doralisa on Tuesday, brown worsted day, on my way from the building to the parking garage. I was on my way to the cleaners to pick up my Wednesday and Thursday suits before a one o'clock appointment. Our downtown isn't much, but it's big enough to have squalor and commerce side by side. Doralisa was talking to an old-looking man bundled up in several layers of overcoats. She waved at me and kept talking. I shifted my briefcase from hand to hand until he went away. 

“Have you ever seen that man before?” she asked, looking after him. “I ought to introduce you to China. He's quite a guy.” 

“Can't say I'm acquainted with the gentleman.” It was just something to say. 

“About yesterday,” she said, running her hand through her hair, which fell back into her eyes after she let go. “I can forgive you if laughing was your way of dealing with the stress,” she said. “Was that it?”

“That's too easy,” I said. 

“I can tell if you're lying.” She ground her heel into the sidewalk. “I hear nothing but lies all day long. Then I go home to my son and more lies.”

“It was just the way you were going on,” I said. 

She looked up suddenly and grabbed my arm. “Come on, I'll show you something.” She led me down an alley between two old buildings no more than six feet apart. It was damp and dark. I was thinking about being late for my one o'clock. Halfway down, a fire escape blocked our way. Something was dripping from way up, puddling where we'd have to wedge ourselves between the steps and the wall. Doralisa gathered her jumper against her legs and slipped cleanly through. I had to shuffle sideways. My briefcase got stuck long enough for a big drop to splash on the top of my head. I touched the wet spot, felt a trickle down my temple. We turned the corner and came into a clearing of sorts, a courtyard of weeds and piles of trash hemmed in by four blind walls. Light shone overhead, but shadows filled most of the chilly space below. Up against the far wall, a cardboard box big enough to carry a refrigerator, or maybe a walk-in meat locker, rested in a patch of sun. I smelled urine and booze. One of the piles of trash moved. It was two guys sitting against the wall, arms around their knees. One of them waved at us. “They weren't here yesterday. Neither was their box,” she whispered. She waved back. “This is where you land after you fall through the cracks.” 

I figured out that my parking garage was on the other side of that wall. I recognized the back walls of a historic theater and a bank, but the fourth wall stumped me. The courtyard was a sad sight, but what do you say? It looked like the cleaners, not to mention lunch, was going to slide right into my one o'clock, and the rest of the day was going to be all jumbled up. At least she didn't spread a blanket and insist on a picnic. We faced more light on our return trip through the alley. At the fire escape, I timed my shuffle and avoided the drips. 

On the street again, I decided that if I gave up everything before the one o'clock, I could stop worrying. “Can you do something for those two?” I asked. 

“Maybe next week.” She shook her head, threw her hair back, and it fell into her eyes again. “Anyway, I want to cook for us,” she said. “My son eats garbage. He never comes in till late. We can have some peace and quiet. Tomorrow night?”

Now I didn't want to leave. I put down my briefcase so I could touch her, but how and why? “It will beat the hell out of the pot of ham and beans waiting for me.”

“Maybe I should come over to your place. Sounds like you're already set to entertain.” She let her pack fall off her shoulder. Then she held one of the straps and swung it back and forth.

“Last week I had chunks of kidney in there with the beans.” I rubbed my belly. “There's still some of that kidney floating around.”

She stopped swinging. “Let's stick with my plan.” She pulled a datebook out of her pack and logged our dinner. She pulled out a sticky-note pad, too, and wrote something. She slapped the note on my briefcase and took off. The note said, Organ meats are bad for you.

—   —   —

After work Wednesday, tweed day, before going to Doralisa's place, I went to the hospital to see Hank. This time, I used the phone outside the double doors. I put on gloves and a mask. “He had a rough night,” the nurse said. “He's better now, but that's not saying much.”

Hank was sleeping, and he looked like hell, breathing dryly from his gaping mouth. Grey-greenish milky stuff flowed from a bag down a tube into a nostril. I pulled up a chair, repeated his name until he woke up. “How are you feeling?” I asked. He spoke in a slurred whisper. There was a rattle in his chest, but nothing like the day before. I had to ask him to repeat his answer.

“Tired,” he said.

“You seem better.” My face already felt clammy against the mask. He blinked and stared at the ceiling. 

“Nurse says so,” he said. He cleared his throat and said, after several silent attempts, “Open.” I heard him but didn't understand. I asked him to repeat. “Open the gate,” he said, and I knew I'd heard him right. “Been stuck here too long.” He breathed a few times. Then he took two deep breaths and got a look of determination on his face. He was looking at something between him and the ceiling, or else beyond the ceiling. “Let me loose,” he said. It was loud—loud for him. I lurched back, bumped the bedrail with my knee. “If you won't, I'll find somebody who will,” he said. He kept his head where it was but aimed his eyes at me. I don't know if he meant it, and he must have known I wouldn't do it. He was just in a bad mood.  

“Hank, I don't understand everything you're saying, but I get the general idea.“ I wanted to hear my voice before I tried to say anything important. “I got to say, over all the years, all you've been through, I'm impressed by how strong you've been.”

“Not much left of me.”

“But you're getting better,” I said.

“So?” He looked away. I touched his hand; it was cold. He went back to sleep. I listened to his breathing, loud but regular, as peaceful as I could hope for. I slumped back in the chair and tried to match my breathing with his. 

—   —   —

In Doralisa's driveway, I parked in front of a motorcycle, which I assumed belonged to her son. I arrived empty-handed and out of sorts. She led me past the TV room, the living room and the formal dining room with two places set. She pointed me toward the den. “Get yourself a drink,” she said. “Everything in the kitchen is reaching critical mass right now.” She turned away. The place was crammed with shiny woodwork, stuffed furniture, and big mirrors in frames. It was just as well that I had nothing to give her, because she probably had anything I would have brought. I didn't like seeing myself wherever I looked. She glanced back long enough probably to see some look on my face. She stretched her arms as if to embrace the whole house. “What can I say? It was part of the settlement.” She left the room.

I poured myself some of her whiskey and went searching for her. I met her head-on at the entry to the dining room. She was carrying two plates. She nodded; I pressed myself against the wall as she passed. The back of my head touched something. Doralisa set down the plates and rushed past me again. I reached back to be sure I wouldn't dislodge anything. Then I moved my head and looked at what I was holding—an ornate wooden spoon hanging from a hook. I held the spoon in place as I moved away from the wall, then I turned around, still fingering the spoon. It had been a while since I'd been in a house with stuff on the walls. 

Doralisa returned with a bottle of wine. “That spoon is from Wales. It's a spoon for good luck,” she said. “Come on, everything's ready.” I had to adjust to dinner, salmon with almond rice and asparagus. She told me the wine was a white Bordeaux. The meal was pretty much over my head, but not out of my reach. If I thought about  it, I could taste that it was special. I ate without saying anything. 

Then Doralisa launched into something. “We found subsidized housing for a single mother and her three kids whose father was a non-union construction worker who got killed when a nail gun went off by mistake.”

“Please,” I said. 

“Eight nails in the head. He almost survived.”

“If you don't mind,” I said. She looked hurt. “Friend of mine's at death's door. I just came from there.”

Doralisa cupped her chin. “Oh, no, and here I was, going on.”

“It's not unexpected,” I said.

“Now is when you'll be needed most,” she said, pressing her hair against her forehead. 

“I'm not giving up on him.”

She glanced at the ceiling and struck the table with the side of her hand, a gentle karate chop. “You’re having a crisis, and here I've just gone off.” 

“No crisis.” I chuckled, trying to smooth things over. Then I stopped trying.

Doralisa put her napkin on the table. “I know. I have just what's needed right now.” She stood up, refilled my glass, and excused herself. In a moment, she returned with her blue pack. She sat down, pulled out a clear plastic package, and pushed it across the table. It looked like a bag of beans. It had printing in strange writing and in English. “You're giving me a package of lentils,” I said.

“Do up a pot of them with scallions, celery and carrots, a bay leaf, a little cilantro. Better than meat, and you'll like it.”

“Thanks.”

“They're special. From Pakistan.”

“Maybe I shouldn't take your special lentils.”

“Then what kind of lentils would you take?” she asked. I liked that. The whole lentil thing was a perfect distraction from Hank. But because I knew it was a distraction, it made me think back to Hank, although the sad thoughts were easier to handle. Then I saw myself in the mirror over her shoulder, and I didn't like having to look at myself. Doralisa must have noticed. “Sterile in here, isn't it?” she asked. “Maybe we should have eaten on the floor in front of the TV.” 

At that moment, the crashing of a door sounded from the back of the house, and her son, Cliff, stomped toward us. He appeared in the dining room, backwards baseball cap, sleek-shaped sunglasses, dirty T-shirt, baggy shorts, black high-tops. She introduced us. He was bouncing on the balls of his feet. My calves ached just watching him.

He slit his eyes at me and said, “Move your car.”

“Why?” I asked. At first he didn't bother me. I was calm, thinking of all the angles, like I do when a client brings up something that's not in my pitch.

“This is my friend, Marvin,” Doralisa said.

“He's blocking my machine,” Cliff said. “Tell him to move his car.” 

“Cliff,” Doralisa said, her neck tightening against what looked liked cables under her skin. I didn't want to know her this way.

“I'll move it,” I said, throwing my napkin down. I felt like telling him off, but why? He was just a kid.

We went out the back door. He was right; I'd wedged him in. He told me, “My mom is a sad, lonely bitch. You must be a real loser.”

“Fuck you,” I said, which surprised me. He gave me what I'd have to call a threatening look. After I backed down the driveway, I got out of the car, and Cliff sped toward me. I jumped back to avoid a handlebar in the ribs. But I forgot about my feet, and he ran over one of them. I don't think he tried to do it, or realized he did it, but who knows? I fell to the asphalt as he sped away. My foot felt as if it were still being run over. A rod of pain throbbed down the middle of my tongue. Doralisa came to my aid. “I've been crushed,” I said. I grabbed her and held on. 

She struggled out of my grasp. “I'll drive you,” she said. I started to worry when I saw the look on her face. She wasn't wailing, but she was gnashing her teeth. “You see what I put up with,” she said.  

—   —   —

My boss told me to lose the crutches. He outfitted one of the demos with a support for my foot and gave me a van with a lift. I used to demonstrate chairs all the time, but it took me a while to adjust to the pace and accept the machine as my source of power. Once I did, everything was easy. I wasn't trying to pitch the chair, but I did attract attention. As far as I could tell, clients didn't think I was faking or trying too hard; they were impressed. So I had to indulge them. I did all the usual things—slow, fast, reverse, spin around. The product sold itself as never before. No wonder Hank liked it so much and felt bad on days they didn't get him out of bed. And then they never got him out of bed, and his chair just sat there until I took it away.

I visited Hank that morning, Thursday—blended navy with beltless slacks, not my best day—even though I feared he might envy me and my chair. But I felt like showing off. I went up to intensive care and invited myself in. His bed was empty, which meant one thing to me: death. I'd often wondered how it would happen and how I'd find out, but it always seemed too far off to worry about. Now I was thinking this was it, and I felt ready—it might as well be now, when we were both ready. 

The nurse said he'd been moved out onto the floor. She told me the room number and said, “It's normal for visitors to think a patient is dead when he's really only transferred.” 

“I'm relieved to know that.” I'm glad she gave me something to be annoyed about, because I felt queasy for feeling so calm when I thought he was dead. 

She glared down at me in the chair, like maybe she thought I was faking. “What happened to you?” she asked. 

“My foot got hurt,” I said, rolling away. I pressed the big disk at chair level to open the double doors. 

I followed the nurse's directions to Hank's room. I threw on a mask, pulled on gloves and rolled in, waving. “You did it,” I said. “You're on the mend.” The head of his bed was raised; he was sitting up.

“What's with the chair?” he asked.

I took his hand, which did not move. It felt warm through the rubber glove. “Traffic accident,” I said.

“You OK?” He did something with his hand. I think I felt a little grip. I didn't know he had any. 

“They say I'll make a full recovery, so I decided not to be mad.” 

“Same kind of chair as mine?” he asked.

“More power.”   

He winked, a slow, shuddering wink, and raised one eyebrow a little. It was a lot for a guy who couldn't move much. “Still in love?” Then he eyed the window without moving his head. “Close the blinds. Too bright.” I backed up, rolled toward the window, and did what he wanted. When I returned, he said, “Bring her by if you want.”

“All right. I'll do that.”

Hank chuckled; I didn't know about what. Then he said one word, “Battery.”

“Battery?” 

“Keep it charged.”

“I'll remember that,” I said. I didn't bother to tell him this model had a built-in recharger. The one he used didn't.

He kept looking at the window. “Dead battery means you can't keep up, and somebody else is catching up.” His eyes rolled over to me, and he blinked. “Dark in here. Open the blinds halfway?”

“As you wish,” I said. It was turning into one of those visits. 

“Come back here,” he said. On my way back, I sideswiped the bedrails and overturned a wastebasket. He shook his head a little. I thought he was making fun of my driving, but he said, “Buy yourself a new suit. You've had that one for years.”

“It's my Thursday suit,” I said. I let the wastebasket stay on its side. 

“Makes you look like a salesman.” He sniffed, or rather he blew a little air out of his nose. “New threads, OK? By the time they send me back to the home.”

“Anything you say.”

“That bonus? It's gone. You'll have to blow every dime of it on her.”

—   —   —

Doralisa’s jaw went slack while I slalomed to her table Friday at lunch. “Want to press charges?” she asked. “If we get a conviction, they might send him to a long-term adolescent psych program.”

“Forget about revenge,” I said. “You would want that for your kid?” 

“Of course. He's troubled.” She put her elbow on the table and rested her head on her hand. “I wish there was something I could do,” she said. “Can I do your shopping?”

“Hell, no,” I said. “Just have lunch with me. Talk.” But then I feared she'd tell more horror stories, so I kept talking. “I tried the lentils.” 

She looked surprised. “How did you manage?” 

“By standing on my good foot,” I said. “Ate some early, and they were chewy. Let them simmer awhile, and they were soft. Good either way.”

“When they’re chewy, they’re like meat, only better for you,” she said. I didn’t tell her I just added them to my standing pot and let them go, adding water whenever I got down to sludge. I played with the power button at my fingertips on the right arm of the chair, just to see the red light flicker on and off.

“You kind of like that chair, don't you?” she said.

“It's like getting a pager. You wonder how you ever got along without one.”

“That's a terrible thing to say.” She threw back her head, and her hair flew out of her eyes for a moment, then fell back.

“I can't help it,” I said. She looked down and flashed a smile at the table. Then she looked up again, and our eyes met. She started to say something. She averted her eyes, but I kept looking at her eyes and her moving lips, and a feeling of peace came over me, and she stopped trying to talk. By peaceful, I mean pleasantly tired and thinking good thoughts. I wasn't sure how it happened. It seemed to come from nothing. The usual distractions flickered in the back of my mind, such as my schedule and Hank's strange warnings, but for once I swept them away. I wanted to give her something, and I broke out of the peace because I had nothing to share. I looked at my hands, checked my pockets, reached around into the pouch behind. What could I have hoped to find? At a loss, I peeled off the adhesive label stuck to the side of the chair. It had my name on it and my office number, to call if the user should have any questions or problems. I pasted the label across her wrist, and she looked away again, probably because it was a silly thing to do, and she didn't want to watch. But I was ready to do it, and she must have been ready to let me do it, because it happened. And there was no sense in stopping with just a sticky label. Right then, when she wasn't looking, I took her hand and kissed her fingers.


Systematic Desensitization


by Ed Peaco

Published by Alabama Literary Review 

Vol. 5, No. 1, 1991

Chosen in Santa Fe Writers Project fiction contest, 2002,

posted among the best 65 entries 


One summer night in the not-too-distant but long-forgotten past, when Max Headroom was a cult hit on television and the home-improvement boom was in its infancy, a dense whine haunted Duane Dyer’s dreams. As his sleep receded, the noise grew louder, and at last he bolted from bed and followed the roar through the house to the garage. Blinking into the dust, he found his wife, Sue, in goggles, jeans and bra, scouring a table with an electric sander.

An air-traffic controller, Sue worked nights while Duane worked accountant’s hours, and sometimes they woke each other up. Sue shut off the sander and removed her goggles, revealing wild eyes still energized from her job.


Duane squinted at the paste of wood powder ringing Sue’s belly button. “I c-c-could have slept through it if I knew what was c-c-c-coming,” he said, stuttering, as he had all his life, when he felt nervous or tired.

“I want you to meet a phobia guy I ran into,” she said. “I think you have a phobia, not a speech impediment.” They had worn out an army of specialists with nothing to show for the hourly fees, and Duane was sick of Sue using every opportunity to nag him about a new treatment. The fear of stuttering had tormented him for years, but he had learned to work around it. He anticipated feared words and steered his sentences around them, as if madly paddling a canoe to avoid boulders that didn’t exist for anyone else. But now people at the office were on his case more than ever about his speech.

They connected Duane’s stuttering with the behavior of pop-culture hero Max Headroom, who seemingly stuttered through faulty guerrilla transmissions onto television screens in his weekly struggle against a Big Brother broadcasting enemy. Not much for TV, Duane had only a dim awareness of Max Headroom. But the series gained appeal, and stuttering became the inspiration for on-the-job theatrics, with jerks jumping in to finish Duane’s sentences or imitate Max Headroom. So-so-so-sue me! was Norman Carter’s office refrain, delivered with Max Headroom’s rhythmic head jerk, demolishing in a crush of laughter anything serious Duane was trying to say. Fed up, he felt a rekindling of his faith in experts, and he agreed to make an appointment.

Grantz, the phobia guy, said Duane’s stuttering was a learned response to some unknown stimulus from the past. The goal would not be to discover what caused the response, but to work on unlearning it. “Your brain is not a VCR,” Grantz said with a devilish grin that threw Duane a little. True, we can rewind if we want, but when we view the old tape, we get garble. The best button to press is play!”

Grantz proposed a therapy called systematic desensitization, by which the patient masters the phobia by encountering it in increasingly stressful but controlled increments. He asked Duane to make a list of nine uncomfortable speaking situations and rank them in order of increasing stress. He gave Duane a mission: start with number one, put himself in the situation and do the thing he was afraid of doing, but do it in a purposeful, controlled way. He told Duane to intentionally stutter, listen to himself, and observe the reaction. When he mastered the situation, he would move up to the next one.

Grantz then asked Duane to name the most frightening speaking situation he could imagine. Trembling, Duane described delivering a speech at the annual meeting, with all staffers and the fearsome CEO listening.

“No problem. Make that number ten!” Grantz said, cackling. Then, more calmly, he said, “Maybe you won’t have to climb that far up the ladder before we see some change.”

In Grantz’s office, they tried step one, a phone call to a stranger. Duane called auto-service shops and asked the price of a t-t-t-tune up. “You see, they’re just waiting for you to finish,” Grantz said afterward. “No problem. If someone has a reaction farther up the line, note how you feel and how the situation resolves itself.” Grantz told him not to feel pressured to change his behavior, just focus on the exercises. “Make the biggest bomb you can, and see what happens when it goes off!”

Grantz helped Duane refine his list by rating the types of stress he would face, then he turned Duane loose to perform the exercises. Over several weeks, he threw himself into the process of unlearning, making rapid progress up the ladder:

2) Phone conversation with friend or acquaintance. To the receptionist at the office: “Any m-m-m-messages for me?” (Nothing from the other end but businesslike shufflings and keystrokes, and then a friendly rundown.)

3) Face-to-face with friend in private. To a handball foe: “N-n-n-nice serve.” (Gr-r-r-r-reat ceiling shot” came the mocking reply. Easily ignored.)

4) Benign stranger in relaxed, public situation. To a police officer:
“W-w-w-which w-w-w-way t-t-t-to W-w-w-walnut St-t-t-t-treet? (Nothing but a not-unkind gaze, even after all this exaggerated stuttering, a self-caricature.)

5) Benign stranger in a more pressured public situation. To a grocery bagger at a crowded checkout station: “P-p-p-paper, p-p-p-l-lease.” (Briefly strained, quizzical look of impatience.)

6) Potentially skeptical stranger. Duane“s original plan was to accost someone sitting on a bench outside his building. But he noticed the new backyard neighbor, watering her garden on the other side of the chain-link fence. She looked convenient, and she was wearing nothing but cutoff shorts and a bikini top: “Those zu-zu-zu-zuchini sure are th-th-th-thriving,” he said. (Quizzical glare and attitudinal pose with hand clutching slender hip.

“Is this some kind of Max Headroom pickup line?” she asked, confirming the wildfire appeal of the TV character. “Wait a few weeks, and I’ll show you my tomatoes,” she said with an ironic twitch of her nose. More trouble than expected, but fun.)

7) Potentially skeptical acquaintance. To a client, one on one: “Th-th-th-that would be a s-s-s-savings of f-f-f-four per-c-c-c-c-cent.” (Double take, then a slight smile of gratitude.)

8) Small group of strangers. To a stutterers” support group ” Duane figured he might as well have a little fun: “H-h-h-hello, y-y-you can call me D-D-D-D-Donnie. But th-th-that’s not my r-r-r-real n-n-n-n-name.” (Were they laughing because they thought he was lying or just joking around? He went on telling jokes, making up lies, stuttering at turns intentionally and uncontrollably ” it didn’t seem to matter. He paused to observe the reaction and found that his fellow stutterers were glued to every tortured burst.

He seized the thrill of a breakthrough: It wasn’t whether he stuttered, but whether he cared. “Everything I said is f-f-f-false,” he said as he wrote a fictitious phone number next to his admitted pseudonym on the new-member info card. More laughter. “Nobody stutters when they laugh,” he said fluently as he skipped out, leaving behind these poor people and their pathetic impediment.)

9. Small group of acquaintances. Presentation to work group: “It’s not s-s-s-something we’ve tried be-f-f-f-fore, but it“s the direction we sh-sh-sh-should to be m-m-m-moving in.” (Norman Carter said, “Suit-suit-suit me up. I“m ready to play!” whereupon the director told him to stop imitating Max Headroom during an important planning session. Duane noticed he wasn’t worrying about his stuttering. Instead, he saw, for the first time, what an oaf Norm was.)

From that moment, Duane felt fearless. Instead of avoiding speaking situations, he threw himself into them just to see what would happen. His stuttering blocks turned anticlimactic; the overwhelming importance he attached to them vanished.

At home alone the next evening, Duane couldn’t help noticing the now-familiar figure, this time in cut-off T-shirt and shorts, working in her garden. He ambled over to the chain-link fence. She asked him why he disappeared so quickly the evening before, and they introduced themselves. Wendy said her husband, Vern, worked nights at the post office, and she was between jobs. “I just sit around and go crazy,” she said. Duane, staring at her glistening belly, said his wife worked nights, too.

“Want to come over for a drink?” she asked. 

Her offer threw Duane. “I d-d-d-don’t know,” he said, feeling the first wave of authentic stuttering anxiety since his transformation. But he collected himself, noted Wendy’s reaction, which was minimal, and moved on. “Maybe we could get together sometime, all four of us.“

“I don’t know when,” she said.

After that meeting, Duane took special care to position himself in the back yard in early evening. He often found Wendy across the way, coaxing him. He went over once to check under her lawn mower, once to admire her zucchini vines, again to taste her zucchini casserole. Her tomatoes were coming along nicely. He always resisted her invitations to enter the house, and later, fantasies inflamed, wished he hadn’t.

They discovered each other one night when the electricity went out on Wendy’s block. She passed through the gate in the back fence and knocked on Duane’s back door. She was wearing a long T-shirt that stretched to her knees and covered whatever else she might have been wearing. She asked for a candle.

“It“s all dark on our street, and I saw your light.” She stepped inside, and they didn’t get any farther than the firm yet springy living room carpet. He appreciated the ease of it all.

The next time, Wendy led Duane through the gate to her house. He worried about being spotted, but Wendy said she felt safer using her own couch so she wouldn’t have to make up reasons why she didn’t answer the phone if Vern called. They created a system: She kept the back light on until after Vern would be finished with his ten o’clock break, the latest time he was likely to call. Then she would shut off the light, a signal for Duane to creep into the no-man“s land of facing back yards, shadow to shadow through the sparkling night of harsh yard lamps, dim interior bulbs, and a neighbor“s insect-killing light, a lurid molten violet, crackling with each dispatch.

Duane based his hopes around those evenings. Upon fulfillment of those hopes, he retraced his steps and, using earplugs to shut out Sue’s arrival, settled into a contented sleep. He wasn’t so much rejecting Sue, whom he once desired intensely; he was celebrating the joys of Wendy, like scrunching her heavily teased, heavily moussed hair. And, best of all, no stuttering!

At the office, Duane faded into the business-as-usual environment of the firm, which, he now grasped, was how he had always fit in before his impediment became a fad. Eventually, Norm noticed the change in Duane. “Hey, pal, you need a refresher course in stammering,” Norm said, handing Duane a videotape of a Max Headroom episode. “Check this out. I think you and Max were sep-sep-separated at birth!“

That night, Wendy“s back yard went dark, and Duane ventured through the gate, but the floodlight switched back on. It was a photon ambush, and Duane hit the turf, a lust commando pinned down on the open lawn. Wendy popped her head out the back door and grimaced in fear when she spotted him. “Go back!” she shouted in a hoarse hiss. She closed the door and shut off the light. By the kitchen“s inner glow, Duane spotted Vern chatting with Wendy. Duane slunk back, his cranium pulsing with fear worse than the fear of stuttering. Back home, he paused to note his surroundings, and he understood that, as far as anyone else was concerned, nothing had happened.

Early the next evening, over the chain-link fence, Wendy told Duane that Vern had come home early to burn off overtime. Duane had a sudden thought. “Th-th-this isn’t easy, but do you mind if we stop?” he asked, glaring in a way he thought might look stern, although he had no idea because he had not prepared himself. Wendy stared back.

“Are y-y-y-you mad?” he asked.

“No. But shouldn’t one of us be?“

“N-n-n-not if we can avoid it.“

She smiled in a sad way then frowned. “That talking problem of yours. Is it a put-on, or is it real?“

“It was fake only the first time.” Duane watched confusion overtake Wendy’s face. It was the perfect note to leave her on. “See you around, neighbor.” He turned away, into the gathering darkness, and wondered what he should do now. Could he rediscover Sue? Lately the two of them were at a standoff: She had her power tools; he had Wendy. Now things were out of whack.

To distract himself, Duane popped in Norm“s Max Headroom tape. It was strange ” television executives with British accents, a petulant adolescent computer whiz, and a young man outfitted in electronic gear. Max Headroom seemed to have only a minor role of bizarre outbursts. He appeared on a screen, or seemed to live inside the screen, within the matrix of the broadcast process.

Against a background of modulating parallel lines, now horizontal, now diagonal, he said things that made no sense, such as “Don’t let the bedbugs bite. Sleep on your feet! Feet! Feet!” The animated head, which Duane thought sounded a little like Grantz, didn’t stutter at all; he simply repeated himself in the sputtering manner of an electronic glitch. The office jokes were misguided, and Duane chafed at the idea that people had been making fun of him in a way that wasn’t funny. He stopped the tape and slouched off to bed, his mind drifting to Wendy, not with disappointment but, if anything, relief.

The next morning, Duane woke up next to Sue, who was sleeping like an antique sideboard gathering dust in a junk shop. It was Saturday, their day together, until Sue went to work in the afternoon. He rose first, made coffee, and reviewed the Max Headroom tape over breakfast. Max was trying to prevent Network 23, the Big Brother network, from broadcasting a dangerous form of advertising.

These commercials blasted gusts rapidly shifting images that meshed with brain activity for maximum effectiveness but also caused some viewers’ heads to explode. Max, digitized and occasionally hiccupping in epigrammatic techno-babble, was prowling the electronic pathways to subvert the diabolical scheme. Max wasn’t just a quirky TV creation; he was a self-sacrificing hero, reducing himself to electrons and an unforeseen glitched existence to fight the forces of social control. The story intrigued Duane in a way his colleagues would never understand.

While Max unknowingly took on fake stuttering while striving to do good, Duane willingly threw off actual stuttering while floundering as a cheat. Duane kept replaying this formulation in his mind. He admired the similarities and the oppositions, how everything balanced out, sort of like a spreadsheet, left to right and top to bottom. Maybe he could put everything together and take another giant step forward.

He heard stirring from the other end of the house, and Sue appeared, yawning. “What“s this blip I“m detecting heading toward the living room?” he asked. She floated over, squinting, and he took her in his arms, brushed a few flecks of wood dust out of her hair, and kissed her neck.

“Why so affectionate?” she asked. “You must be hiding something.“

“Not anymore.” He pointed to the television.

On the video, a man“s head exploded as he watched a supercharged commercial. Then Max interrupted a similar broadcast: “If you“re watching me, who“s watching Network 23? ” a network with a great future behind it.“

“So this is the crap I’m missing by working during prime time,” Sue said.

Duane went to the kitchen and poured a cup of coffee for Sue. On his way back, he looked out the window and saw Wendy and Vern on the deck. She was wearing a bikini top and shorts, as usual. For the first time, he regretted having betrayed Sue. It occurred to him that she could still find out, even though it was all over. This fear felt worse than the merely negative feeling of regret. He noticed that his emotions, dissociated from the thoughts that had provoked them, resembled the old stuttering anxiety. Could he master this discomfort as well? He had a reckless desire to confess, but maybe not so reckless. Perhaps he could confront what he dreaded under conditions he could control.

Duane picked up his empty cup and went to the kitchen for a refill, and on his way back, he checked out Wendy again. He viewed sections of shiny flesh between horizontal deck slats. “What are you staring at?” Sue asked.

“Nothing.“

“The hell you aren’t. It“s that girl who prances around in her swimsuit.”

“Well, yes.“

“I knew it. I’ve seen you out in the yard, staring at her. It would be really embarrassing if she saw you. And I“m sure her husband wouldn’t like it.“

Duane knew his opportunity for mastery had arrived. “You don’t know the half of it,” he said. It was a reckless thing to be doing, climbing the ladder by leaping to the highest rung. “Her husband works nights, too,” he said, willing a light-hearted leer. “Wendy and I have been seeing each other for weeks, creeping around at night while our spouses were hard at work.“

“You even know her name?“

Max Headroom said, “Don’t let the bedbugs bite. Sleep-sleep-sleep on your feet!“

“Silly boy,” Sue said. “You’ve been acting weird ever since you started going to the phobia guy. He fixed your stuttering but warped the rest of you.“

Another burst from Max: “If at first you don’t succeed, clear your screen and try again! Try again! Try again!”

“Who me?” Duane said. “I never felt so good in all my life.” He had to remind himself that, to Sue“s way of thinking, nothing ever was particularly wrong. He listened to himself and noted Sue“s reactions. He accepted his last remark as essentially correct. She smiled at him condescendingly, as if he were some kind of nut, gleefully telling teasing lies. That was good. She did that when they were getting along. No problem.



Wood, Stone, Metal and Bone




by Ed Peaco

Published in Four Quarters

Vol. 27, No. 4, Summer, 1978


THAT MORNING the key to the padlock on the tool cabinet was missing again. Rich Lomax looked all over the workshop for it while McFee, kneeling on the concrete floor, made a tripod out of three ten-foot two-by-eights joined with a nut, bolt, and clamp. When Lomax came back empty handed and saw George Dumo, wearing those stupid cutoffs and talking with that long face to McFee, he knew that Dumo had locked the key inside the cabinet again.

The tractor shovel had broken down again. Even if they knew what was wrong they could not repair it before the burial that afternoon because the wrench and the ratchet set were locked in the cabinet and this time they could not burn off the lock with the acetylene torch because the flints for the torch were also locked in the cabinet. And McFee would not let anybody use a burning rolled newspaper to light the torch. Dumo did it that way until the time he lit the torch and stomped out the burning newspaper next to an open can of naphtha and almost blew up the workshop. 

Without the tractor shovel, or any means to repair it, McFee and Lomax decided the only way to move the concrete vault from the work yard to the gravesite was by lifting it with a hoist attached to the make-shift tripod, backing a pickup truck under the vault, driving out to the gravesite and unloading it the same way. Rich liked McFee at times like this. Ever since McFee was promoted from grounds worker to supervisor after the mechanic quit, McFee always gave Lomax the chance to think about problems that mattered. 

Bill Dole came in and they were all talking. Dole’s tee-shirt was spotted grey with concrete poured two days ago when they made the vault. Around the middle of his head he wore a red bandana which gave his unruly hair and untrimmed beard the appearance of a mass of frayed electrical wires bound in the middle. 

“I didn’t; I couldn’t of,” Dumo said.

“But you were the last one to leave last night,” McFee said. “If he sabotaged the cabinet then I crippled the tractor,” Dole said; “I drained off all the oil yesterday when nobody was looking.” 

“Now you shut up,” McFee said. “You guys are just fuckin’ off while Rich and I are trying to work with what we have.” 

Now that they had finished thinking about the problem, Lomax did not like McFee so much. McFee was throwing his weight around again as if he owned the place, and Lomax wanted no part of it. He would take the first chance he got today to side again with Dumo and Dole. 

McFee said, “This morning: Rich, you get on the rest of that mowing and you two guys get onto that sod-laying. If we got a funeral today this place has to look nice. We move the vault after break.” 

Lomax regretted that McFee gave him the better job; it would be that much more difficult to get back on good terms with Dumo and Dole. Cutting grass made you forget you were alive, but laying sod forced you to work harder to forget what you were doing. 

Lomax gassed the tractor and connected the mowing attachment. Within minutes the pleasant rhythm of the tractor and the soothing moisture on his body and in the air settled him into the routine of long mindless straightaways interrupted at either end by the turns, which required his attention. It was getting hot early and since there was no heavy work today he knew he would be enjoying it by mid-afternoon—that gentle film of wetness that accompanied you everywhere and comforted you as long as you cooperated by not working too hard. 

On one of his return trips Lomax stopped at the junk heap out back behind the picket fence, where Dumo in the dump truck took loads of scrap from the workshop. 

Lomax wondered what Dumo was up to now. Dumo had been working there since he dropped out of high school. He knew the place so well that he could take charge suddenly by summoning up his vast knowledge of the place and announcing that this or that, which had occurred to no one, had to be done immediately. Lomax resented George and his projects because he pursued them whether or not they were needed at the time and whether or not he was permitted to do so. McFee would do nothing about Dumo because he was valuable, the only one willing to work more than a single summer. 

“I’m clearin’ out that back room of the workshop,” Dumo said. “That place been a mess for a long time.” 

Out of the dump truck he carefully removed pieces of broken brick, beams with exposed nails, and parts of machinery long ago discarded. 

“Why do you sort the stuff so carefully?” Lomax asked. “We have to know what we have case we every have to use it.” 

Wood goes here, bricks and stones over there, and parts there. Cover the parts with plastic tarp later,” 

“What are you doing after that?“

“Wanna get high?”

“Sure,” Lomax was hoping Dumo would say that. It was the chance he was waiting for.

“Bill says to meet him by the drainage ditch. I’ll be there when I’m done with this,” Dumo said.

Lomax drove to the drainage ditch, at the far end of the cemetery, where Dole was laying a brick retaining wall on either side of the steep part of the ditch, to arrest the process of erosion along the banks. He had thought of the project so he could be independent of McFee and he had asked Lomax to help. They had used a pile of concrete bricks that Dumo had stacked up out back the year before. For the purpose of staying clear of McFee, the project was so much work that it hardly seemed worthwhile. But they enjoyed themselves until Lomax decided to strengthen the bricks with more iron reinforcement bar than it turned out the place could afford, and, when McFee found out, he was pissed at Dole for wasting a lot of materials on one project. When Lomax found out that McFee was pissed at Dole and therefore Dole was pissed at Lomax, he left the project to Dole. 

Lomax said, “The wall looks good. How did you learn to lay bricks that well?” 

“I didn’t. Taught myself as I went along.”

“Does McFee really believe we need it?”

“Of course we need a wall here,” Dole said. “See all this clay? Topsoil’s been washed away. Unless we stop that the whole area won’t have anything but weeds growing on it. We have to make this place look nice. Yep, what this place needs is this wall right here.” 

Lomax looked at Dole’s smile and told himself he should have known the wall would have been better off weaker, so that it might soon provide Dole with more of his own kind of work. 

THEY SAW DUMO coming out, rumbling over the potholed service road in the dump truck which had no shocks, Dumo’s figure tossing behind the wheel, nearly launching through the roof as he accelerated, the truck growling in low gear, with deafening crashes of metal on metal.

“If it wasn’t for Dumo I’d be bored all the time around here,” Dole said to Lomax.

“Time to get stoned!” Dumo said, leaping from the truck. “You’re already stoned,” Lomax said. “Get out of here and go do some work.”

“Hold on; this guy’s been working hard,” Dole said. He looked at Dumo and cracked a smile, then produced his pipe and his pot. Dumo said, “Yeah, I been moving bricks.”

“See, he’s been moving bricks,” Dole said to Lomax.

“You like moving stuff, don’t you?” Lomax asked Dumo. “It’s a job that had to be done,” Dumo said. 

“In a couple of hours this guy moved a roomful of stuff from one place to another,” Dole said to Lomax, “while you spent the whole morning sitting on a tractor and driving it maybe ten miles but haven’t moved a damn thing further than where you were when you started.” 

There was more to smoking with Dole than simply having fun, and Lomax hated it, but on the job he made it work to his advantage. Dumo would act like an imbecile and Dole might say something regrettable. Lomax would carry on as usual, though silently, as if in secret. 

Dole inhaled at length on his pipe and passed it to Dumo. He said, “Rich, you’re getting a little too serious around here. You’re becoming more and more like McFee every day. I mean this tripod bullshit.” 

“Got any other ideas?” Lomax asked. 

“Yeah,” Dole said, “I got this idea that instead of raising the vault you’ll end up driving the legs of the tripod into the ground.” 

“That hoist will lift a couple tons,” Lomax said.

“But the two-by-eights won’t,” Dumo said.

“Those boards will hold up a house,” Lomax said.

“But a tripod’s never been tried before,” Dumo said. “Long as I been here, nobody’s ever thought up anything like that.”

“If you can waste time doing projects,” Lomax said to Dumo, “there’s no reason I can’t try to save time by thinking them up.” 

“Yeah, but you have to look like you’re doing something,” Dole said. “Instead you’re just standing around acting pompous. Like McFee.”

Lomax drew on the pipe Dumo handed him. The pleasant morning veil of wetness lifted; what was once moist and limp was now dry and brittle. He had wanted to patch up things but everything was going wrong. He felt renewed contempt for Dole with his cuts and Dumo with his petty wisdom, “What’s wrong with McFee?” Lomax asked.

“He’s an all right guy,” Dumo said.

“No, he’s not,” Dole said. “Since he became supervisor he gets paid more than we do and he does less. He works on his own car all the time but lets all the equipment around here go to hell.” 

“The dump truck works fine,” Dumo said. 


“But you do the same thing,” Lomax said to Dole. “You go your own way and never do what has to be done.” 

“Yeah, but I do something,” Dole said. “McFee doesn’t know anything and he doesn’t do anything. So he ends up letting you design stupid tripods.” 

“It wasn’t all my idea,” Lomax said.

“Don’t gimme that,” Dole said to Lomax.

“It’s not McFee or me or anybody,” Lomax said. “It’s this place. The only reason McFee is supervisor is because nobody else wants to be.” 

“But he’s still the supervisor,” Dole said. “He’s the one to get pissed at.” 

“This looks pretty stupid,” Dumo said. “Two trucks and a tractor parked in the same spot. Three guys sittin’ in a ditch doing nothing.” 

The pipe came around to Lomax again. He inhaled and exhaled more than he inhaled. Leaning his head against the bank of the ditch, he fixed his eyes on the horizon, where the heat shimmers soothed the throbbing in his temples and behind his eyes. The combined effect of the conversation and the pot made him care little whether he went back to work or remained sitting; the two choices seemed equally worthwhile. It distressed him that he should ever take the work seriously, as if he were the supervisor. Though McFee had the authority, he could do nothing because he did not know what to do, which made him no different from the others. At what point did this work matter? To whom? Why? 

WHEN IT WAS TIME for break they drove the vehicles to the workshop. Lomax was slowest with the tractor. From a distance he watched McFee, hands on hips, probably asking Dumo and Dole what they had done about the sod so far. Dumo stood with his weight on one leg and Dole took off his bandana and wiped his face with it, his hair maintaining the imprint around the middle of his head. 

When Lomax pulled up McFee told him, “An undertaker is here for a surprise visit and these guys are too squeamish so you’re elected. While you’re doing that we’ll move the vault with the tripod.” 

“Wait a minute; it’s break time,” Dole said.

“You guys look like you already had your break,” McFee said. “It’s hot out here,” Dumo said. “We have to cool off.”

“Do you think we look cool?” Dole asked. “Rich is cool. He can stomach anything.” 

“All in a day’s work,” Lomax said. 


“Maybe you could work for him,” Dole said to Lomax. “There’s more in it for you and it’s even easier than sweating on a tractor. And you’d work where it’s air conditioned.” 

“Yeah,” Lomax said, “but all that lifting. And the chemicals are bad for your health.” 

Though they were still talking about him Lomax walked into the crematory room. He had made his remark and had timed it well enough; he was not too stoned. The undertaker was waiting in the crematory room. 

“Hi. I brought you some business straight from intensive care. There’s no service but I said they could have him by tomorrow morning. Is that too soon?” 

“No, that’ll be fine. Let’s put him right in.” 

Lomax opened the heavy metal doors and raised the concrete block and the undertaker wheeled his cart parallel with the cart that was always in the crematory room and he unzipped the oblong vinyl bag. He offered Lomax a pair of plastic gloves. “I think he’s clean, but you never know,” the undertaker said. 

“I never use them,” Lomax said. He put a piece of plywood on the cart, which had rollers on its surface. Lomax took the legs at the calves and the undertaker took the shoulders and they moved him from one cart to the other. Lomax wheeled the cart in front of the opening to the crematory. Sliding the plywood along the rollers of the cart, they pushed the body into the crematory. Lomax lowered the concrete block and shut the metal doors and latched them. 

“Thanks,” the undertaker said. “Be seein’ ya.” 

Lomax turned on the lower burners and waited until they warmed up then switched on the gas jets. He checked through a small porthole to be sure there was no smoke. The first flames, which completely obstructed his view through the window, died down, and the blackened form expanded, the chest bloating, then separating lengthwise, the viscera emerging, sizzling and magnificently rising, culminating in a mound of ash, and suddenly falling. 

There would be no smoke for now; Lomax was glad for that. He did not want anybody for miles around to know that a cremation was going on. A man, having lost his life, was now losing his familiar form. This event had an importance for Lomax which he could not describe. He could only compare cremation to burial, in which it was important that the body decompose in the solitude of its own grave. It was not important to the body, but to those who buried the body—and to everyone who believed in burying the dead, on whose behalf Lomax believed he acted. Cremation was one of the few things this place was properly equipped to do, and Lomax was determined to do it well. 

LOMAX PUT THE CART back where it belonged and swept the floor and emptied the waste can into the large bin outside. 

He saw Dumo waiting in position with the pickup truck, ready to back up under the vault which McFee had secured with heavy cables connected to the hook on the hoist at the top of the tripod. Dole waited to steady the vault. McFee heaved on the chain from the hoist. The vault lifted a foot off the ground. Dole steadying it. McFee heaved a few more times and the vault continued to rise until one of the beams of the tripod snapped and the vault fell to one side and broke into several pieces on the ground, Dole running back to get out of the way and McFee standing among the pieces with his hands at his sides and still holding the length of chain. 

Dumo hopped out of the truck and said, “What happened? What are we gonna do now?” 

“We have plenty of vaults out back but no way to move them,” McFee said. 

Lomax came up and asked, “Where’s that goddamn acetylene torch?” 

“Hanging on the hook by the workbench,” Dump said, “but there’s no flints and hardly any fuel left in the tank.” 

“Fuck the flints,” Lomax said. 

Lomax went into the workshop and took the torch off the hook and put on a pair of plastic goggles. If he could open the cabinet where the tools were kept, maybe they could use the tools to get the tractor running before the funeral. But no one knew how to repair the tractor. He imagined himself and McFee crawling under it, one with the owner’s manual, the other with the tools, both hoping for the best. No matter whose fault it was, or if no one was at fault, not to be able to have a burial at a cemetery would be embarrassing to everyone. 

He opened the valve on the torch and produced a match. He knew that what he was about to do was not a good idea, but in his anger he lacked the patience to find anything more suitable than what he had at the moment. And he had helped build the tripod, which turned out to be a far worse idea than lighting a torch with a paper match could ever be. Everybody else had stupid projects to work on and it pained Lomax to know that his projects were not only stupid but dangerous. If they ever got through the afternoon, maybe they could start doing things right when it mattered. When he put the lit match to the gas he felt the rush of the flame against his knuckles. He went to work on the tool cabinet. 


Sunday, January 30, 2022

SGF weirdness in January!

 

Here are screen grabs of three SGF weird things.


Denver Mattress presented 
a goofy commercial, set on New Years Day. 
A mother with a headache is holding a child. 
This is a very odd way to make sales, 
in my opinion, but it might work.


Springfield Roto-Rooter workers 
made a kickline to show their dexterity.


The city is arranging push-button lights 
that vehicles must heed, but will they? Beware ...

Thursday, December 16, 2021

Rothko, in Pain and Glory


The New York Times

By Lyna Bentahar

Nov. 4, 2023


You may recognize Mark Rothko’s paintings, even if you can’t recall the artist’s name: tall canvases of bold, floating blocks of color. Their titles, such as “No. 13,” “Red on Maroon,” even “Untitled,” are just as abstract as the paintings themselves.


The Foundation Louis Vuitton art museum in Paris will host 115 of Rothko’s works in a blockbuster retrospective that runs through next spring. The exhibition, which fills four floors, proceeds in a somewhat chronological order. Paintings of city scenery from Rothko’s early career lead to his experiments with Surrealism; to the abstract, foggy rectangles he’s known for; and finally to the dark, colorless canvasses that embodied his later work.


“Over and over, in soft-edged blocks layered on filmy backgrounds, he modeled a commitment to abstraction that charged at the hardest questions of life and art through refusal of the easy path,” my colleague Jason Farago, an art critic for The Times, writes in his review of the retrospective.


Rothko preferred to show his paintings in low light, and away from the work of other artists. The show mostly stays true to those wishes, though it gives space in the final gallery to one artist Rothko at least approved of: Alberto Giacometti, whose spindly, bronze sculptures of attenuated human figures appear alongside a set of Rothko’s black-and-gray paintings.


The retrospective is a success, Jason says, though he notes that one can only view so many Rothkos in a day before they start to merge together. “They are spectacular, even if they soon all became broadly similar,” he writes.


And there’s more to appreciate about this show then just the paintings — particularly, the ordeal of getting them all to Paris.


No museum has attempted a Rothko exhibition of this scale since the 1990s, and for good reason: Almost none could afford it. The paintings are not just expensive (one was up for sale for $40 million last month), but also difficult to move because of the fragile materials Rothko used in his paint.


Moving so many Rothkos safely is something perhaps only a billionaire could afford. As it happens, the Louis Vuitton conglomerate’s chief executive, Bernard Arnault, is one of the richest people in the world.


“In organizational terms,” Jason writes, “this show is a milestone.”


If a trip to the Vuitton in Paris is out of reach, there are opportunities to see Rothko’s work in the United States. The National Gallery of Art in Washington is holding an exhibition of Rothko’s paintings on paper starting November 19. The Phillips Collection, also in Washington, is hosting an installation through the end of March. The Museum of Modern Art in New York has its own Rothko collection. And in Houston there is a permanent installation in a nondenominational church, aptly called The Rothko Chapel.

Wednesday, November 3, 2021

i.V KiNG's Queer Revival finds space for LGBTQ+ at NACC Church & beyond

i.V KiNG has created the Queer Revival
Photo credit: Andie Bottrell

By Ed Peaco

For Ed’s Occasional Posts


National Avenue Christian Church has accepted an invitation to be the venue for an untraditional, king-sized event. 


It’s The Queer Revival, with a title that provides a fair amount of information about the gathering. But there is a lot more to unpack.


The impresario, i.V KiNG (Ivy Allison Schulte), has a background as a youth pastor, a musician and a gay woman who has had difficulty with church. She is the creator of The Queer Revival, which will premiere at 6:30 p.m., Friday, November 12, at the church. 


• Welcome and cocktail hour

• Concept show: speaker, life coach Madison Morrigan; performance by KiNG

• Concert with full band, i.V KiNG

• Drag show: Tania Carrington, Kris Kohl, Liz Anya

• After party at Hold Fast Brewing


KiNG stressed that any person of any faith, or none, would be welcome: “We’re not trying to convert anyone.” She has developed this event as a transformative experience.


During KiNG’s early years in Springfield, she kept her orientation private. 


“I didn’t realize that other people of faith in the queer community existed. I felt so alone,” she said. “If I’d seen something like this [NACC] 10 years ago, it probably would have changed the trajectory of my life. I wouldn’t have had as much trauma, as much shame.”


Several years ago, she went to Los Angeles to work on her music. 


“Now, my big thing is we can have God, if we want to have God. No one can take that from us,” she said. 


Pastor Jennifer Simmons at NACC 
Photo credit: Stephanie Scott-Huffman

KiNG asked Pastor Jennifer Simmons at NACC to provide the church, specifically the sanctuary, for The Queer Revival. They spoke of reclaiming spaces of faith that were stolen from the LBGTQ+ community. 


“The biggest thing I told her, I want the LBGTQ+ community to show up exactly as they are,” she said. “So, I’m very excited. And her response was magical.”


In an interview with Pastor Jenn, she emphasized that the church had long been open and affirming, welcoming people of the LBGTQ+ community and providing space for groups such as the Ozarks Dharma Community and a Hindu group. 


She called this approach “radically inclusive,” meaning the church welcomes all. “So when  we say all, we really have to live and proclaim that message.” In the case of The Queer Revival, Pastor Jenn alongside the NACC board and leadership, accepted the invitation to provide space and helped with how the event would happen, she said.


“Go, do what you need to do, take the space and run, provide a space for healing, make beautiful music, and we’ll be here,” Pastor Jenn said. “The beauty of this event is that it is KiNG’s dream and vision — wanting to come back to church and claim it, and work toward healing, and transforming the space from her own experience.”


On the note of healing in the context of entering a church after a long hiatus, Pastor Jenn suggested that this walk might be a difficult one. 


“I have walked alongside many folks for whom, just coming back to the church, that first day was a hard day because of what they have been taught, what they were told throughout their lifetimes by pastors, from pulpits, that has been so hurtful,” Pastor Jenn said. The intention is to seek potential healing.


In this way, the church does not expect anything from anyone.


As Pastor Jenn has said, “Just bring your full, beautiful, authentic self.”




Tuesday, April 6, 2021

Out from the virus, Anthony Gomes hatches hit album

Anthony Gomes


In 2020, probably the worst year for live music since before songs were invented, musicians had to stop making noise in public, but they found other means to keep their creative drive burning.


Anthony Gomes — the blues guitarist, band leader and thoughtful songwriter — made the most of the lean year by forging a new album, Containment Blues, out of the sorrow of the virus, bringing some urgently needed healing. 


He and his band will perform two shows at Shuffle. One is sold out. Tickets for the April 24 show can be bought at Eventbrite. Routine COVID-19 health measures will be enforced, said promoter Monte Lorts.

  • No tickets can be purchased at the door
  • Tickets are for tables of four, or for individual stools
  • Mask required for entry
  • No mask needed when seated and eating and drinking
  • Mask required when moving around the venue

This show presents an opportunity to hear live music, new music. 


“Out of it we birthed this unforeseen baby, a much different album than we would have otherwise,” he said. “We were working on a different album and we just stopped that because it didnt seem appropriate.”


He realized the historic significance of this global predicament, he said. “Somehow, I needed to archive that, artistically. I’m really proud of the results.”


Cover art for album,
Containment Blues



Containment Blues
became their best received, best selling album, hitting No. 1 on the Bluebird Blues Chart last year, and doubling the sales of their previous album, he said.


“People need some humor. Blues has always been a healer. We really needed some healing in 2020,” he said. The title song presents a family situation involving scarce toilet paper. “Hell and Half of Georgia” is a drama in which one partner has multiple lovers.


One of several songs with a more serious theme is “Praying for Rain,” an autobiographical song where he reminisces about lessons from his grandfather, such as: “… son, I’m counting on you to finish what we started to find a way … .”


Another serious piece has an unexpected title, “Stop Calling Women Hoes and Bitches.” This song, calling for respect for women, is a huge, powerful moment in the show, Anthony said. He found that listeners respond in one of three ways: 1) women are thankful, 2) men who have daughters appreciate the song, or 3) some other men don’t really understand.


Anthony has spoken about his work as an artistic journey, as well as a worldwide scope for the Blues. The trio is comprised of Anthony from Canada, bassist Jacob Mreen from the U.S., and drummer Chris Whited of Sweden. Additional musicians on Containment Blues are from Brazil, Venezuela and Russia. 


His foundation was able to confer modest grants to five musicians in need last year. Meanwhile, he’s “very cautiously optimistic” for 2021 and more upside for 2022, with another album in the works. 


“There’s an overwhelming feeling that we’re coming out of the darkness. … We’ve been working hard and struggling and getting by. Soon we’re going to be together again. That’s what living is all about.”


 


Anthony Gomes Band

Shuffle

Doors open 7 p.m., show 8 p.m.

2550 S. Campbell Ave.

417-883-2166

Tickets from Eventbrite

Saturday, April 24, ticket link:

https://bit.ly/3uVHNr4